Frant Dunlané
Mr. Hauschildt's sound always delivers but the ethereal vocals on Saccade is a masterful arrangement. Visually and audibly, Dissolvi is a glimpse into the tech ambience of the future.
Anu Kirk
Hauschildt moves in a more beat-driven direction than his last few albums. It is still beautiful and mysterious, like his other albums, but perhaps a bit more conventional, or more closely connected to more contemporary influences.
Favorite track: Syncope (ft. GABI).
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
$7USD
Record/Vinyl + Digital Album
- Standard weight vinyl housed in debossed reverse finish jacket.
- Artwork & design by Robert Beatty
Includes unlimited streaming of Dissolvi
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 2 days
Purchasable with gift card
$18USDor more
Compact Disc (CD) + Digital Album
- CD is packaged in reverse finish 4-panel digipak.
- Artwork & design by Robert Beatty
Includes unlimited streaming of Dissolvi
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 2 days
Purchasable with gift card
$12USDor more
Limited Edition Colored Vinyl
Record/Vinyl + Digital Album
- Standard weight vinyl housed in debossed reverse finish jacket.
- Clouded red vinyl is limited to 750 units worldwide.
- Artwork & design by Robert Beatty
Includes unlimited streaming of Dissolvi
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
Cassette
Cassette + Digital Album
- Cassette is packaged in red + clear Norelco case with 6-panel insert.
- Artwork & design by Robert Beatty
- US-Only, but Non-US may purchase and pay Int'l shipping
Includes unlimited streaming of Dissolvi
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
In search of the sublime, contemporary electronic musician Steve Hauschildt has designed grids and panoramas of sound across multiple releases through the rise and dissolution of his former band, Emeralds, an American touchstone of 2000s home-recorded psychedelic noise music. Consistent with his solo work is Hauschildt’s ability to coil his craft in precise, varied, and distinctly physical forms. Gently spinning arpeggios converse with post-industrial decay. Sonic fibers sway like pendulums from static melancholy to motorik bliss. Dissolvi, the artist’s first full-length with Ghostly International, engages sublimation from an ontological perspective: by dissociating the self. Hauschildt steps out from the singular path, for the first time in a traditional studio, to compose and arrange contributions from friends. As a result, his most collaborative work to date extends a vast, vibrating framework in which to consider the state of being.
The album's title — a reference to cupio dissolvi, the Latin phrase meaning "I wish to be dissolved" — needn't be taken one-dimensionally or as purely solipsistic. It does, however, serve an apt reference. Physiological phenomena are of interest to Hauschildt. These back-of-mind ruminations find their way out. Songs are cerebral in orientation, but beyond explanation, the music is truly visceral. Involuntary eye movement inspires the serene, sanguine-nearing-suspicious "Saccade." Hauschildt feathers soft percussion beneath the echoed refrains of Los Angeles musician Julianna Barwick, together shaping a svelte suggestion of the anxieties brought about by modern-day surveillance; if everyone is being watched constantly, there is no individual, no self, only a broadly monitored and clumsily cataloged populous. The work of Chicago poet Carl Sandburg comes to mind: “I am the people—the mob—the crowd—the mass.” The individual dissolves into the taxonomic crowd.
Minimalist techno impulses provide a stylistic through-line for Dissolvi. Understated synth phrases and drum grooves take hold in selective moments, like synchronistic structures onto which nebulous mists, like the rapturous voice of Gabrielle Herbst aka GABI on "Syncope," cling to and cloud, producing a dazzling rift in consciousness. The 7-minute centerpiece "Alienself" reiterates this creative logic, burbling like an amorphous body of water on a low-gravity planet, on the verge of dissolving, but never fully dematerializing.
The album was constructed in Chicago (where Hauschildt now resides) and partially in New York. "Much of it was recorded in a windowless studio which removed elemental or seasonal references to time in the music," says Hauschildt. "The focus this time was on mixing the album and incorporating a broader set of instrumentation. I describe my compositional approach as being quasi-generative." Embracing new methods and philosophical curiosities, and in turn, expanding the range of his repertoire, Hauschildt proposes a fascinating and profoundly rich experience in listening, being, and deliquescing.
This has become one of the most important albums of my life. It’s essence is indescribable. Every sound from the start of the record through the end is placed delicately and with care. The album cover is by Julie Mehretu. It’s absolutely an incredible release for which I shall be eternally grateful. Aniket
The combination of drums and ambient synths is incredible. It is in every way shape or form soothing to my ears :) I just love skee mask his work. happy to see him next week in Tivoli kasper538
On vinyl for the first time courtesy of Geometric Lullaby, this dream synth epic spans moods and textures to create a soundworld all its own Bandcamp New & Notable Dec 2, 2022
Listening to a Tim Hecker album is rarely ever a time to skip between songs or chose one track in the middle to start things off. Saying that, This Life is a perfect way to begin this audio experience. What I love most about this album though is how Tim seems to be evolving as a musician, patiently honing his skills, and fine tuning his craft. His works improve with each progressive album, while new experiments are woven into the tracks, he still manages to retain his signature sound. Jon Vassa